One, two, three

Genie Kim has a way of making you slow down. In "One, two, three," the Korean-Canadian artist gathers work that begins in darkness and is drawn back toward light. She grounds her wood panels in mineral, covers them fully in charcoal, then works in reverse with an eraser, lifting forms out of the black until they hold. Numbers rise to the surface, counted and recounted, the way you might steady yourself before something happens. Here and there, small hearts of gold leaf catch whatever light is in the room.